With themes of identity and coming of age that a lot of teens will relate to, realistic characters and high school drama, and exciting crime plot twists and turns, there's still a lot to love about Harlan Coben's YA series. However, removing my strong intuitive nature for familiarity, this story is well articulated and well-sewn together.Summary: Another good instalment of Mickey Bolitar's story.
I’m not sure if it’s because I am used to the plot structure by experiencing the recent Harlan Coben stories, but the series is also like a replica rollercoaster ride, but they’ve rebranded it repeatedly. Hold Tight eventually brings the twists, but it feels slightly underwhelming. Of course, the actual task is linking the plot points together. The story becomes more about Igor, and disappearances and violence in the community become routine.
It starts as a simplistic story of an overbearing mother and a grieving son, but it soon becomes a conspiratorial nightmare. A story about a young boy named Adam, presumably holding a secret about the death of his best friend Igor while his mother worries for him. These stories are designed to thrill at a balanced pace.Īnd so, with consistency, Hold Tight provides familiarity in that sense. You can forgive the meandering dialogue and the quick turn of events. If you are familiar with a Harlan Coben story, you will know that audiences are taken down a specific, intrinsic path before being hammered with an ultimate twist. But with the success of recent series ( The Innocent, Stay Close), Netflix must be enjoying having this universe in their armory ( they certainly need it after recent drops in subscribers). There’s so much in the pipeline from Harlan Coben’s collection that it’s challenging to keep up. We can be forgiven that Hold Tight came to our screens, and we nearly forgot about it.
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